Last night’s generally unremarkable episode of SNL peaked early when it took advantage of its proximity to Mother’s Day to do something kind of remarkable. As part of her opening monologue, guest host Reese Witherspoon declared that the show was going to mark the occasion by bringing each cast member out with his or her mother...and then forcing them to apologize for their childhood transgressions.
The new Vacation may bear the same name as the old Vacation, but it’s actually a sequel, taking place a few decades after the first ill-fated Griswold family trip to Walley World. The first trailer for this new version has arrived and while it has the same title and premise as its predecessor, it bends over backwards to let you know that Ed Helms is the same Rusty Griswold from 32 years ago, all grown up. Can we call this a rebootquel?
When the SNL writers decided to craft a sketch mocking the boxing match between Floyd Mayweather and Manny Pacquiao, they had no idea that the “fight of the century” would turn out to be a huge bust that would leave sports fans enraged. This adds a level of meta-humor to an already funny sketch. In many ways, SNL’s very silly take on this fight is significantly more interesting than the real thing.
If there were any lingering doubts about the popularity of Star Wars in the year 2015, Star Wars Celebration killed them. Ruthlessly. When the the live-streamed panel for Star Wars: The Force Awakens premiered the second trailer for J.J. Abrams’ wildly anticipated sequel, you could feel the internet quiver and shake underneath the weight of the hype. It was a staggering event that made the next few geek-friendly trailers released in the following days feel like small potatoes in comparison. And yes, this hyperbole is backed up by raw numbers: the second trailer for The Force Awakens shattered the record for most trailer views in 24 hours.
Something has survived ... and it’s been packaged, licensed and sold to an audience of millions! No, we’re not talking about the Jurassic Park franchise or the new Jurassic World trailer, but rather the dinosaurs on display in the film, who are the star attractions in a fully functioning prehistoric theme park where nothing ever goes wrong! Until it does. And when things go wrong at dinosaur theme parks, things go really wrong.
For the third week in a row, Furious 7 took the top spot at the box office and made it look easy. Not even a trio of newcomers could slow down the latest entry in the crowd-pleasing action series, which has become the fastest film to reach $1 billion worldwide. On the domestic box office, it’s equally impressive. It’s a juggernaut. A cultural event. At the end of the day, Paul Blart: Mall Cop 2 may make some money, but it’s making that money in the shadow of a genuine phenomenon.
It was inevitable: Disney is making a live action Winnie the Pooh movie because of course Disney would make a live action Winnie the Pooh movie. The studio’s tactic of bringing their animated properties into the live action realm has already paid off with Alice in Wonderland, Maleficent and Cinderella, so why not pay another visit to the Hundred Acre Wood and let a live action Christopher Robin hang out with a CGI Piglet?
With David Letterman departing The Late Show to make way for Stephen Colbert, the entire world waits with bated breath to see what this living legend will do after his final episode airs this May. Thankfully, we have people like Billy Eichner around to accost strangers and collect suggestions for what he should do next.
Between Maleficent and Cinderella, Disney has found a new way to print money by remaking their animated classics into live action films. And according to SNL, the upcoming Beauty and the Beast won’t be next. First, we’re getting the action-packed, Fast and Furious-inspired remake of Bambi that you never knew you wanted.
In one of the strongest box office weekends of 2015 so far, both Home and Get Hard opened strong while Insurgent and Cinderella continued to perform well. This was the rare weekend that literally offered something for everyone, with R-rated comedies and animated family fare exceeding expectations.
What does a movie studio want out of its sequels? Is a sequel a failure if it simply matches its predecessor or does it need to make more money? That’s the big question that’s swirling around Insurgent, which made almost exactly as much as Divergent did one year ago. Seriously: there’s only a $500,000 difference in their opening weekends. So is Insurgent a success or a disappointment?
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