So you know Stan Winston, the Academy Award-winning special effects designer who worked on Terminator, Predator, Jurassic Park and Iron Man? Well, it turns out that he founded a school, and if that list of movies wasn't enough to make you think you could probably learn a thing from it, then they now have the best possible advertisement they could ask for in Kai-Xiang Xhong, who builta life-sized, wearable suit of cardboard Iron Man armor and earned himself the nickname "The Taiwanese Tony Stark."
The suit -- which, fortunately, did not involve Xhong being kidnapped and held for ransom by terrorists allied with the Ten Cardboard Rings faction -- is just the tip of the iceberg for his creations. Check below for more, including Optimus Prime, lifelike animals and an amazing dragon that was his first-ever cardboard sculpture!
Listen, I'm going to be real with you for a second: I love 1980s action movies more than I love most members of my own family. I mean, hell, if we're talking about Die Hard, I love that movie more than I love pretty much every member of my own family (sorry mom). So when I saw Josh Cooley's series of illustrations where he turns movies like Die Hard, Predator and Road Warrior into Golden Books style storybook pages, my first thought was utter delight.
Well, no, that's a lie. My first thought was "Where's Commando?" but then came the delight, I assure you. Check out a few of our favorites below!
I've seen a lot of movies with alternate endings over the years -- like the depressing original finish to Army of Darkness or that bonkers version of Die Hard With a Vengeance where John McClane spins an actual rocket launcher around on a table while riddling Jeremy Irons -- and to be honest, I usually don't think they add much to the film. They're an interesting look into an alternate universe, sure, but I almost always prefer the final product.
Today, however, I saw an alternate opening to last year's smash hit special effects blockbuster Gravity uploaded to YouTube by user Krishna Shenoi, and I have to admit that it changes the entire tone of the film to something I think I'd really like. Check below and see for yourself!
Ever since Kyle Starks finished The Legend of Ricky Thunder, the story of a pro wrestler whose world was shattered when he found out wrestling was fake but who still had to pull it together to defend the world from an alien invasion via single combat, I've been wondering what he was going to do next. He's done some shorter projects -- including a Wild Dog fan comic that was amazing -- and a ton of great illustrations for Tumblr, but I've been holding out hope that he'd announce another big project.
As it turns out, he did even better than that: Not only did he announce a new comic called Sexcastle, a 180-page original graphic novel tribute to '80s action movies, but the whole thing is done and ready to print, and he's funding it now via Kickstarter.
The early ’90s were spoiled for choice when it came to comic book adaptations. Not only was Batman: The Animated Series on the air, but X-Men led Marvel’s push to get on the small screen, diving right into the often convoluted continuity of everyone’s favorite mutants, luring in a generation of fans, and paving the way for cartoons to follow. That’s why we’ve set out to review every single episode of the ’90s X-Men animatedseries. This week, Cyclops finally figures out who his father is, and Storm will meet you... AT THE MONORAIL!
I love Ghost Rider. Or at least, I love Ghost Rider in theory. Everything about the character, the very idea of a flaming skeleton in a cursed leather jacket riding around on a motorcycle made of hellfire, bringing vengeance to increasingly bizarre and demonic villains, all while pulling off stunts that you could only do on the comics page? That is exactly my jam. In practice, however, Ghost Rider has always been a really hit-or-miss character for me. As good as it can be, and there are issues of Ghost Rider that are among my absolute favorite comics, it's often bogged down by being overcomplicated and, worst of all when you're dealing with a book about demonic motorcycle stunts, boring.
That being the case, you can probably understand why I approached Felipe Smith and Trad Moore's all-new Ghost Rider comic, appropriately called All-New Ghost Rider, with a little bit of caution. On paper, it's exactly what I want out of comics, but in practice, there are a dozen things that could go wrong. Fortunately, the first issue is off to a strong start.
Last Friday, the Billy Ireland Cartoon Library and Museum at Ohio State University opened an incredible pair of exhibits featuring the art of Calvin and Hobbes creator Bill Watterson and Cul de Sac creator Richard Thompson, and I don't think I have ever wanted to go see an art exhibit more. Curators Jenny Robb and Caitlin McGurk have assembled an incredible collection of original art from Calvin and Hobbes organized by season, as well as Watterson's actual tools of the trade, featuring hilarious commentary by the man himself. Unfortunately, like many people in this world, I am nowhere near Columbus, Ohio.
The good news, however, is that the filmmakers behind Dear Mr. Watterson, a documentary about Calvin & Hobbes and its impact, were in attendance snapping pictures so that the rest of us could live vicariously through them. Check out a few of our favorites below!
Like everyone else, the staff of ComicsAlliance was deeply saddened this week by the death of Harold Ramis. As an actor, writer and director, Ramis had a hand in crafting some of the films that shaped our lives and our sense of humor, including Caddyshack, Animal House and, of course, Ghostbusters, where he played the deadpan Dr. Egon Spengler and cracked up countless moviegoers just by telling them print was dead.
Ramis leaves behind an incredible legacy in the world of film, but artists across the world reacted to the news with their own tributes to the man and his work, which we've gathered below.
There are a lot of popular wrestlers in WWE, but there aren't a lot who come to the ring in T-shirts that were made for them by fans, swatting at bubbles being showered onto the entrance ramp by fans who brought their own bubble-guns to the arena.
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